Built upon a lifetime’s worth of experience as a performer, teacher, and musicologist, Jerome Carrington provides unique insight into the analysis of various works for violoncello by some of the most iconic composers of early and classical music, including A.F. Servais, J. Haydn, and J.S. Bach. Much like the world of music composition, Carrington’s research is dynamic and ever-growing, shedding light on novel interpretations of the origin of these works, the composers’ unique editing processes, and the implications that follow.